There are few movie ideas simpler and more appealing than “murder mystery in an exotic…
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Ridley Scott’s “House of Gucci” exudes the opulence and style that the Gucci name has…
Another supremely enjoyable ride from Wes Anderson, “The French Dispatch” is the kind of rare treat that makes going to the movies worthwhile. It’s uniquely funny, engaging, beautiful, and easily one of the year’s best.
Chloé Zhao’s “Eternals” clearly has so much it wants to say, and yet it says so little — but at this point, that feels expected from Marvel’s almost 15-year-old saga.
“Last Night in Soho,” while not perfect, is a chilling and deeply compelling horror story about nostalgia, trauma and gender that will leave viewers hanging onto their seats. It shows promise for the future of director Edgar Wright’s career, as well as those of budding stars Thomasin McKenzie and Anya-Taylor Joy.
“Dune” will overwhelm, amaze, confuse and perhaps mystify, but it must be seen.
The 25th Bond film is the longest and most conclusive in the series. This is the ending the Craig Era deserved, for better or worse.
Marvel Studios wants the voices of underrepresented communities to be depicted on screen.
“Shang-Chi and the Legend of the Ten Rings” does that in a spectacular fashion for the Asian American community. I can go further and say that this movie is exactly what this country needs right now.
When it was released stateside in July 1996, “Trainspotting” producers wanted to market it as a British “Pulp Fiction.” Trailers…
Few stories can completely captivate an audience, but “Zola” is one of the rare ones that can do so in under 140 characters. “Zola” follows the…