“Pearl” — directed by Ti West and written by Ti West and its star Mia Goth…
Browsing: review
By George Barreto In possibly one of the strongest (albeit most rushed) openings to any…
By George Barreto A self-proclaimed gay version of “Pride and Prejudice” breathes much-needed life into…
There are few movie ideas simpler and more appealing than “murder mystery in an exotic…
Ridley Scott’s “House of Gucci” exudes the opulence and style that the Gucci name has…
Another supremely enjoyable ride from Wes Anderson, “The French Dispatch” is the kind of rare treat that makes going to the movies worthwhile. It’s uniquely funny, engaging, beautiful, and easily one of the year’s best.
Chloé Zhao’s “Eternals” clearly has so much it wants to say, and yet it says so little — but at this point, that feels expected from Marvel’s almost 15-year-old saga.
“Last Night in Soho,” while not perfect, is a chilling and deeply compelling horror story about nostalgia, trauma and gender that will leave viewers hanging onto their seats. It shows promise for the future of director Edgar Wright’s career, as well as those of budding stars Thomasin McKenzie and Anya-Taylor Joy.
“Dune” will overwhelm, amaze, confuse and perhaps mystify, but it must be seen.
The 25th Bond film is the longest and most conclusive in the series. This is the ending the Craig Era deserved, for better or worse.